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"...Old Love...New
Love..."
There are those who call Tim
Buckley's music 'magical' whilst others dismiss his Jazz style arrangements and
vocal gymnastics as 'grating' or even 'nonsense'. I'm firmly in the first
category (he was a bona-fide genius and true innovator). And despite its
reputation as a good 'beginning' or lesser work (even amongst rabid fans) - I'd
argue that there's genuine beauty to be rediscovered on his 1966 self-titled
debut album "Tim Buckley" - reissued here in grand style and with
great respect by Rhino Handmade of the USA. Here are the aural highs and lows...
USA released 11 January 2011
- "Tim Buckley" by TIM BUCKLEY
on Rhino Handmade/Elektra RHM2 526087 (Barcode 603497947874) is an Expanded
Edition 2CD Deluxe Edition of his 1966 Debut Album on Elektra Records that
plays out as follows:
Disc 1 (69:37 minutes):
1. I Can't See You [Side 1]
2. Wings
3. Song Of The Magician
4. Strange Street Affair
Under Blue
5. Valentine Melody
6. Aren't You The Girl
7. Song Slowly Song [Side 2]
8. It Happens Every Time
9. Song For Jainie
10. Grief In My Soul
11. She Is
12. Understand Your Man
Tracks 1 to 12 are the
STEREO version of his debut album "Tim Buckley" - released October
1966 in the USA on Elektra Records EKS-74040. Tracks 13 to 24 are the MONO Mix
on Elektra Records EK-4040
Disc 2 is PREVIOUSLY
UNRELEASED (53:01 minutes):
1. Put You Down
2. It Happens Every Time
3. Let Me Love You
4. I've Played That Game
Before
5. She Is
6. Here I Am
7. Don't Look Back
8. Call Me If You Do
9. You Today
10. No More
11. Won't You Please Be My
Woman
12. Come On Over
Tracks 1 to 12 are by THE
BOHEMIANS (his first group) and are Demos recorded 8 November 1965 in Anaheim,
California. The line up was: TIM BUCKLEY - Vocal and Rhythm Guitar, JIM FELDER
- Bass, LARRY BECKET - Drums and BRIAN HARTZLER - Guitar.
13. She Is
14. Aren't You The Girl
15. Found At The Scene Of A
Rendezvous That Failed
16. Wings
17. My Love Is For You
18. Song Slowly Song
19. Song Introductions by
Larry Beckett
20. I Can't See You
21. Birth Day
22. Long Tide
Tracks 13 to 22 are ACOUSTIC
DEMOS recorded during the summer of 1966 in Anaheim, California with Buckley on
Vocals and Guitar. LARRY BECKETT provides Lead Vocals on two songs -
"Found At The Scene Of A Rendezvous That Failed" and "Birth
Day" and the Intro to "Song Slowly Song" (all other vocals by
Tim Buckley).
The presentation is lovely.
An over-sized outer card wrap (rustic cardboard effect) is held in place by a
ribbon on the rear. Opening the three-way fold out card sleeve gives you a
5" card repro of the album artwork on the left with a mock-up Elektra Records
"Previously Unreleased' sleeve in the centre and on the left - a 20-page
oversized booklet with superbly informational liner notes by American Writer
THANE TIERNEY (with the overall project handled by Mason Williams). But the big
news for fans is the gorgeous sound and the new extras.
Remastered from original
tapes by original Engineer BRUCE BOTNICK - both mixes of the album reveal
lovely detail. There's hiss for sure but it's natural - Botnick has allowed the
recordings to breath and the feeling of intimacy is so pronounced as to make
you double take (no compression nor loudness). I also couldn't believe how good
the straight-out-of-your-speakers Mono mix sounds - so punchy and full of
power. "Strange Street Affair Under Blue" sounds so Doors in Mono -
while the ethereal and trippy "Song Of The Magician" and "Song
Slowly Song" both 'feel' better in Stereo.
After cutting his chops on
stage - Tim Buckley was only 18 when he was contracted to Elektra Records
(allegedly the same day they signed The Doors). The Doors connection continued
by having Paul Rothchild and Bruce Botnick as Producer and Engineer
respectively. Tracks like the jaunty "Song For Jainie" and "I
Can't See You" show a level of songwriting maturity that is spine tingling.
The guitar phrases in "I Can't See You" even sound a little like Jeff
Buckley's "Grace". But it's the pretty tunes like "Valentine
Melody" and "Song Slowly Song" that move you - where his amazing
octave range is given flight. The lovely "Wings" also benefits from
the string-arrangements of JACK NITZSCHE while "Aren't You The Girl"
has VAN DYKE PARKS on various keyboard instruments.
The liner notes explain that
the Demos on CD2 are just that - crudely cut demos (courtesy of The Bohemians).
There are wobbles, dips and instruments buried way back in the mix of the
November 1965 session - but historically it's extraordinary stuff to be hearing
after all these decades. "I've Played That Game Before" is new, but
far prettier is "Here I Am". Thankfully the second batch of personal
demos features a far warmer recording and therefore ups the intimacy. Over and
over - his voice strikes you. "My Love Is For You" is ok -
"Birth Day" is awful and "Long Time" is nice.
So there you have it -
gorgeous remasters of the original album - with both mixes warranting inclusion
- and some nice new songs on CD2.
He would go on to greatness
with "Happy Sad" (March 1969 USA), the beautifully languid "Blue
Afternoon" (November 1969) and "Lorca" (June 1970) and the
beginning of the end for me with the mostly unlistenable Jazz Avant Garde
"Starsailor" (November 1970) only to spend years in the Seventies
trying to play unsuccessful catch up (Tim passed June 1975, very young). And on
17 Nov 1966 - Tim and his wife Mary would bring a son into the world called
Jeffrey Scott Buckley, who would also go on to musical greatness - his stunning
debut album "Grace" from August 1994 - and life sadness too, just
like his mercurial father. But this is where the 'Buckley' legend begins.
My only wish is that Rhino Handmade
makes good on the rumour that "Happy Sad" and "Blue
Afternoon" will both follow in this lavish series. What a thought...
PS: check out my review for
"The Complete Album Collection" by Elektra/Rhino from October 2017
that contains the fabulous "Works In Progress" CD compilation (Disc 8
of 8). Originally issued October 1999 by Rhino Handmade in the USA-only as a
stand-alone limited edition CD - this peach has 16 superbly remastered Studio
Outtakes dated from May 1967 through to July 1968 and highlights Buckley and
his crew in the very best light...
1 comment:
Hey Mark,
Thanks for the kind words on my liner notes. I loved Tim's work, and I, too, wish that Rhino had continued with the series. C'est la vie. I'm grateful I had a chance to honour his memory in some small way on this set, a belated thank you to an artist who changed many of our lives and whose influence is still being felt decades after his untimely death.
Cheers,
Thane Tierney
Los Angeles, CA
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