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"...Every Little
Thing..."
There's a moody consensus
which would have us believe that after the mercurial talent and Mod-Soul voice
of a young Steve Winwood left The Spencer Davis Group, they descended into
mediocrity. RPM Records and their 3CD retrospective covering the post-Winwood
years of 1967 to 1969 (when alongside Spencer Davis - Ray Fenwick, Eddie Hardin
and Pete York essentially took over the musical reins) wants to make a case
against such tetchy poo-pooing. And "Taking Out Time..." makes a damn
good fist of it. There is a lot to love here and much of it rare too in 2018.
Fans have been after this
material in digital form for years and this beautifully laid out Clamshell Set
won’t disappoint – three albums worth in Stereo, Mono Single Mixes, Alternate
Takes from the albums that appeared on Previous CD compilations, a new unheard
Stereo Outtake and a whopping 15 Previously Unreleased BBC Sessions including
two new period interviews. We’ve a ton of hipster groove to get through - so once
more my Aquarius-beaded shimmy-shaking patrons as we dance buck nekkid round
the Mulberry Bush on our Pot Pourri way to the Pictures of Heaven (yeah man).
Here are the details direct from the Sanity Inspector (it says here)...
UK released 19 August 2016 -
"Taking Out Time: Complete Recordings 1967-1969" by THE SPENCER DAVIS
GROUP on RPM Records RPMBX533 (Barcode 5013929553309) is a 68-Track 3CD
Clamshell Box Set of Remasters with three repro card sleeves, a 24-Page Booklet
and plays out as follows:
Disc 1 "With Their New
Face On" (74:31 minutes):
1. Time Seller (Single
Version)
2. Don't Want You No More
(Single Version)
Tracks 1 and 2 are the
A&B-sides of a July 1967 UK 7" single on Fontana TF 854
3. Taking Out Time [Side 1]
4. Every Little Thing
5. Virginals Dream
6. Looking Back [Side 2]
7. Pictures Of Her
8. Just Like Me
9. Possession
Tracks 3 to 9 are seven of
the eight songs the band provided for the 12-Track Movie Soundtrack to
"Here We Go 'Round The Mulberry Bush" - released January 1968 in the
USA on United Artists UAS 5175 [Stereo] and January 1968 in the UK on United
Artists SULP 1186 [Stereo]. The other SDG song on the LP was "Waltz For
Caroline" written by Steve Winwood but is not included here for
contractual reasons. The remaining four songs were by Traffic and also outside
the remit of this Box Set.
10. Mr. Second Class (Single
Version)
11. Sanity Inspector (Single
Version)
Tracks 10 and 11 are the
A&B-sides of a December 1967 UK 7" single on United Artists UP 1203
12. After Tea (Single
Version)
13. Moonshine (Single
Version)
Tracks 12 and 13 are the
A&B-sides of a March 1968 UK 7" single on United Artists UP 2213
14. With His New Face On
[Side 1]
15. Mr. Second Class
16. Alec In Transitland
17. Sanity Inspector
18. Feel Your Way
19. Morning Sun [Side 2]
20. Moonshine
21. Don't Want You No More
22. Time Seller
23. Stop Me, I'm Falling
Tracks 14 to 23 are the
album "With Their New Face On" - released June 1968 in the UK on
United Artists SULP 1192 in Stereo and in the USA on United Artists UAS 6652 in
Stereo.
BONUS TRACK:
24. After Tea [Stereo] -
PREVIOUSLY UNRELEASED
Disc 2 "Funky"
(77:49 minutes):
1. [Aquarius] Der Wassermann
2. Let The Sunshine In
Tracks 1 and 2 are the
A&B-sides of a 1968 German-Only 7" single on United Artists 67129 -
the A-side is a German-language version of "Aquarius" from the
"Hair" Musical - the B-side was also featured in "Hair"
3. Short Change
4. Picture Of Heaven
Tracks 3 and 4 are the
A&B-sides of a December 1968 UK 7" single on United Artists UP 2226
5. I Met A Woman [Side 1]
6. Letters From Edith
7. Raintree River
8. What A Way To Die
9. Funky [aka “Firefly”]
[Side 2]
10. Magical Day
11. I Guess I'm Wasting My
Time
12. Poor Misguided Woman
[aka “Misguided”]
13. And The Gods Came Down
14. New Jersey Turnpike
Tracks 5 to 14 are the album
"Funky" - released 1970 in the USA only on Date Records TES 4021 - it
was withdrawn quickly thereafter. Scheduled for release in late 1969 on CBS
Records 63842, the UK variant "Letters From Edith" was also withdrawn
– never released.
15. Magpie (TV Show Theme)
16. Twice A Week
Tracks 15 and 16 are
credited to THE MURGATROYD BAND (The Spencer Davis Group under another name -
Davis, Hardin, Fenwick and York) - the non-album A&B-sides of a December
1971 UK 7" single on Decca F 13256. The A-side was recorded in 1968 and
became the TV Theme to the popular BBC kids program "Magpie"
OUTTAKES:
17. I'm Lost
18. Pools Winner
19. Groove Extra
20. The Girls' Song
21. Aquarius/Let The
Sunshine In (Demo with SUE and SUNNY on Backing Vocals)
22. Feel Your Way (Backing
Track)
Tracks 17 and 18 first
appeared as Bonus Tracks on the 1997 CD Reissue of "With Their New Face
On" on Repertoire Records REP 4684-WY
Tracks 19 to 22 first
appeared as unreleased outtakes on the 1994 CD compilation "Taking Out
Time 1967-1969" on RPM Records RPM 127
Disc 3 "Radio Sessions
& Alternative Versions" (60:46 minutes):
1. Feel Your Way
2. Morning Sun
3. Taking Out Time
4. Picture Of Her
5. Just Like Me
6. Possession
Tracks 1 to 6 are Alternate
Versions recorded in 1967 for the Soundtrack to "Here We Go 'Round The
Mulberry Bush". Tracks 1 and 2 first appeared as Bonuses on the 1997 CD
Reissue of "With Their New Face On" on Repertoire Records REP 4684-WY
– Tracks 3 to 6 first appeared as Bonuses on the 1997 CD Reissue of "Here
We Go 'Round The Mulberry Bush" on Repertoire RPM 179.
BBC RADIO SESSIONS (All
Previously Unreleased):
7. Don't You No More (BBC
Radio 1 Session for 'Saturday Club', Recorded 18 December, Broadcast December
1967)
8. Interview (Recorded 18
December 1967 for "Top Of The Pops")
9. Mr. Second Class (BBC
Radio 1 Session for 'Saturday Club', Recorded 18 December, Broadcast December
1967)
10. Time Seller (BBC Radio 1
Session for 'Saturday Club', Recorded 18 December, Broadcast December 1967)
11. Feel Your Way (BBC Radio
1 Session for 'Pete's People', Recorded 17 January, Broadcast 10 February 1968)
12. Taking Out Time (BBC
Radio 1 Session for 'Pete's People', Recorded 17 January, Broadcast 10 February
1968)
13. Time Seller (BBC Radio 1
Session for 'Pete's People', Recorded 17 January, Broadcast 10 February 1968)
14. Moonshine (BBC Radio 1
Session for 'The David Symonds Show', Recorded 11 March, Broadcast 21 March
1968)
15. Interview (Recorded 11
March 1968, a BBC Radio 1 Session for 'The David Symonds Show', Transcription
Service Radio Programme)
16. After Tea (BBC Radio 1
Session for 'The David Symonds Show', Recorded 11 March, Broadcast 18 March
1968)
17. Feel Your Way (BBC Radio
1 Session for 'The David Symonds Show', Recorded 11 March, Broadcast 19 March
1968)
18. Dust My Blues (BBC Radio
1 Session for 'The David Symonds Show', Recorded 24 March, Broadcast 1 July
1968)
19. Interview (Recorded 24
June 1968 for the BBC's 'Top Of The Pops', Transcription Service Radio
Programme)
20. With His New Face On
(BBC Radio 1 Session for 'The David Symonds Show', Recorded 24 June, Broadcast
4 July 1968)
21. Mr. Second Class (BBC
Radio 1 Session for 'The David Symonds Show', Recorded 24 June, Broadcast 3
July 1968)
22. Dust My Blues (Recorded
24 March 1968 live at the Daily Express Stars Organisation for Spastics Radio
Show in the Empire Pool, Wembley)
Track 22 first appeared on
the 1994 CD compilation "Taking Out Time 1967-1969" on RPM Records
RPM 127
Conceived and compiled by
JOHN REED (with help from Syd Kreft and Andy Neill) and Produced for RPM
Records by MARK STRATFORD - the 24-page booklet has new liner notes by ANDY
NEILL featuring fresh interviews from the key band players and songwriters - Spencer
Davis, Ray Fenwick, Eddie Hinton, Pete York and Phil Sawyer. The text is
peppered with repros of A-label Demos, Sheet Music, Trade Adverts, Foreign
Picture Sleeves, period photos of the differing band line-ups and so on while
each CD Card Sleeve reflects artwork variants of the "With Their New Face
On" and "Funky" albums (not "Here We Go 'Round The Mulberry
Bush"). A nice touch is that the Previously Unreleased 'BBC Radio
Sessions' (long rumoured to have been lost or corrupted) are given
pride-of-place and broken down into finite detail on the last few pages
(intricacies collectors will love). SIMON MURPHY over at Another Planet has
done the Remasters and they sound kicking and full of muscle even if the Stereo
cuts can be too in your face at times (personally I like it loud). Let's get to
the new face and music of The Spencer Davis Group...
Even if the band thought it
wonderfully ahead of its, well time - I've always thought "Time
Seller" was a crap tune, a sort of poor man's Move (terrible Mono sound too).
But its fantastic B-side "Don't Want You No More" is a different
slap-and-tickle altogether. A fab R&B groover with flicking guitars and a
John Lee Hooker driving rhythm - it's a winner and should have been the A (most
people will in fact know the song from The Allman Brothers Band who covered it
on their self-titled November 1969 Atco debut). We're then greeted with seven
of the eight tracks SDG contributed to Clive Donner's period movie "Here
We Go 'Round The Mulberry Bush" unleashed on a hip public in January 1968
(along with the soundtrack LP that also featured four cuts from Traffic).
Highlights include a hard-hitting bopper in "Every Little Thing", the
gorgeous Tuba and Clavinet instrumental "Virginals Dream" and the
hip-shaking Rock-R&B podium-dancer of "Looking Back" (a wicked
co-write between Davis and Phil Sawyer) where Spencer's got a chick and she's
as mean as she can be (oh dear).
The lack of Steve Winwood's
extraordinary set of lungs starts to show in the social commentary single
"Mr. Second Class" b/w "Sanity Inspector" - another
two-header from Davis and Hardin that's good but feels too busy and needed the
sheer power of a real singer to get it across. The shadow of "Sgt.
Peppers" and Indian Sitar Music permeates through "After Tea"
with the R&B dancer B-side "Moonshine" faring better. It didn’t
take reviewers of the day but a few moments to see that the June 1968 LP
"With A New Face On" gathered up preceding 45s – similar songs now
done in Stereo with different mixes and even musicians. The ubercool piano vs.
drums boogie instrumental "Alec In Transitland" (peppered by
occasional shouts of 'yeah' as the spirit of Ray Charles flows through his
fingers) started out life in their first new-SDG sessions as an Eddie Hardin
and Pete York Jazzer called "For Pete's Sake". Other winners on the
album including the catchy Boogaloo of "Feel Your Way" where it feels
the new-SDG is having some fun with Alvin Lee on Vocals, the striking 'you're
trying to make me see' Rock of "Morning Sun", an uptempo'ed better
cut of "Moonshine" and a grinding-remake of the fabulous "Don't
Want You No More" which could easily be a Peter Green's Fleetwood Mac
track from their 1968 debut. And hippies everywhere will rejoice at the new
Stereo cut of "After Tea" too – so much clearer as the sitars and
flutes spread out (very nice).
While the first CD impresses
on almost every level - Disc 2 begins to let the side down in places. The
German language version of "Aquarius" is not just bizarre but
superfluous to requirements (the English language cover of another
"Hair" musical tune "Let The Sunshine In" on the flipside
is much better). But the withdrawn US/UK album "Funky" is 0inflicted
with too many genres and uninspired material. It was to be called "Letter
To Edith" in the UK but was again withdrawn by CBS in late 1969 despite
being allocated a catalogue number (Ray Fenwick penned or co-penned every
tune). It's not all bad though - the very cool instrumental title-track
"Funky" that opens Side 2 actually lives up to its moniker – a
fabulous little groover that aficionados of Wynder K. Frog type Hammond Organ
will chew up. And Fenwick was clearly listening to the Led Zeppelin 1969 debut
and The Jeff Beck Group's "Truth" album when he wrote the 'she caused
me so much sorrow' Blues Rock of "Poor Misguided Woman" – a
hard-hitting guitar-chugger with BST Brass punches throughout. But both the
last two tracks are more plodding than inspired and some of the others feel
like poor-man's Hollies. Of the singles the December 1968 double-header
"Short Change" b/w "Pictures Of Heaven" is a clear winner –
lyrically and musically. And that "Magpie" ITV Theme song makes me
grin and think of my teenage crush on the gorgeous and classy Susan Stranks
(heavens a Murgatroyd indeed). The piano-funky B-side instrumental "Twice
A Week" is a bit of a goer too. Diehards will probably have the
studio-song outtakes "I'm Lost" and "Pools Winner" on the
1997 CD-reissue of "With Their New Face On" (one a gorgeous 60ts ballad,
the other a groovy instrumental). If you don't – both are great discoveries and
Andy Neill rightly name-checks them in his liner notes. "Groove
Extra" is another excellent instrumental – the kind of sexy guitar-grinder
that will end up on some cool CD compilation somewhere. And the German language
demo of "Aquarius" (with session regulars Sue and Sunny adding
backing vocals) is actually better than the released cut to my ears (music
historians should note that the three-minute demo doesn't actually get to
"Let The Sunshine In" despite the double-headed title printed on the
box). I can fully understand why RPM included the Backing Track to "Feel
Your Way" – it's the most fantastic groover and again will be winging its
way to you on some cool comp right soon (it ends Disc 2 on a high).
Disc 3 will be exciting for
fans – almost all of it unreleased BBC Radio Sessions that many thought would
never see the light of day. It opens with six outtakes from the "Mulberry
Bush" sessions - the fab "Feel Your Way" kicking opening proceedings
with style. The other I like here is the very Kinks "Just Like Me"
and "Possession" even has a few seconds of dialogue before the music.
As you can see from my breakdown of the Radio Sessions above the recordings
begin in December 1967 and continue right through to February 1969. Complete
with a 'hey, groovy' Keith Skues DJ intro "Don't Want You No More"
opens the account on a winner even if the audio is a tad muddy. A very cool
version of "Feel Your Way" from a Pete Murray show in February 1968
arrives minus any intro - the recording sharp and full as the boys sound
re-energised (Hammond A-Go-Go). "Taking Out Time" too sounding
brilliant - live Love or The Zombies in a groove. Both "Moonshine"
and the Elmore James cover of "Dust My Blues" get DJ-excited entries
- both sounding great - that fab combo of Harmonicas and Hammond. It all ends
on a crude recording of a live "Dust My Blues" - the band still
sounding kicking and the crowd enthusiastic.
For sure not everything on
here is Leonard Da Vinci - but each disc contains enough to satiate fans and
turn on the newly interested. Time to 'fell you way' too methinks. Well done to
all involved...
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