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CADENCE /CASCADE
CADENCE /CASCADE
PROG ROCK, PSYCH, AVANT GARDE...
And Others Genres Thereabouts
Exceptional CD Remasters
And Others Genres Thereabouts
Exceptional CD Remasters
Covering 1967 to 1977 - It Also Focuses On
Fusion Rock, Acid Folk, Art Rock and Underground
Just Click Below To Purchase
Thousands of E-Pages - All Details and In-Depth Reviews From Discs
(No Cut and Paste Crap)
"...Chariots
Rising..."
In truth I faltered at the
basket stage on this one. Looking at the track list across 3CDs (42 cuts) - I
realised being an ardent fan of that wildly creative decade and a major
collector of CD reissues for over 30 years now that I'd at least 75 to 80% of
the entries offer here - so what's the point? Do I need another remaster of
overdone 1968 hits like Arthur Brown's "Fire!" or Fleetwood Mac's
"Black Magic Woman" or The Bonzo's "I'm An Urban Spaceman"
or Julie Driscoll and Brian Auger's "This Wheel's On Fire" or even
for that matter the lesser-heard "Race With The Devil" by Gun – the
answer is not really...
But then those reissue
hairy-types over at Esoteric Recordings (part of Cherry Red) know suckers like
me; it's the gaps in between that I'm after. And they have filled out the
well-endowed discs with clever inclusions. An unreleased song overture to
Island Records from 1968 by The Action (hoping for a signing) that hasn't been
available since it first saw light of day in 1985, rare B-sides by The
Bystanders and Genesis, even rarer A-side single-only releases from Dave Mason,
The Pretty Things and The Moles and an EP cut from Sam Gopal. And there is much
more too...
There's the emergence of
Seventies Prog Rock giants in former incarnations - the Gods featuring Ken Hensley
later with Toe Fat and then of course Uriah Heep, Steve Howe with Tomorrow
before Yes, The Crazy World Of Arthur Brown that featured a teenage Carl Palmer
who would bash the kit for Emerson, Lake and Palmer, Ray Shulman dreaming of a
Gentle Giant when he was with Dantalian's Chariot, Jeff Lynne plucking a bow
with The Idle Race before he formed The Electric Light Orchestra, Cheerful
Insanity from Robert Fripp in Giles, Giles & Fripp before changing the
course of music with King Crimson and even a young Andy Somers who many years
later would become the zippy guitarist Andy Summers in another tiny group - The
Police. There's a lot to love here and it's been presented in Esoteric's usual
top quality way (audio and looks). Here are the chariots rising...
UK released Friday, 22
February 2019 (1 March 2019 in the USA) - "Revolution - Underground Sounds
Of 1968" by VARIOUS ARTISTS on Esoteric Recordings ECLEC 32662 (Barcode
5013929476202) is a 3CD, 42-Track Clamshell Box Set of Remasters that plays out as follows:
Disc 1 (73:24 minutes):
1. And The Address - DEEP
PURPLE
2. This Wheel's On Fire -
JULIE DRISCOLL, BRIAN AUGER & THE TRINITY
3. Talkin' About The Good
Times - PRETTY THINGS
4. World War Three -
DANTALIAN'S CHARIOT
5. A Saying For Today - THE
ACTION
6. Crossroads Of Time - EYES
OF BLUE
7. Sunshine Help Me - SPOOKY
TOOTH
8. Early Morning - BARCLAY
JAMES HARVEST
9. All Day, All Night -
BLONDE ON BLONDE
10. Happy Birthday/The
Birthday Party - IDLE RACE
11. Revolution - TOMORROW
12. We Are The Moles (Part
1) - THE MOLES
13. Blackberry Way - THE
MOVE
14. One Eyed Hound - GENESIS
15. On A Saturday - KEITH
WEST
16. Sovay - PENTANGLE
17. Cave Of Clear Light -
THE BYSTANDERS
18. Soma (Parts One &
Two) - DANTALIAN'S CHARIOT
19. Fire! - THE CRAZY WORLD
OF ARTHUR BROWN
20. I'm The Urban Spaceman -
THE BONZO DOG DOO DAH BAND
Disc 2 (72:39 minute):
1. Shapes Of Things - JEFF
BECK
2. Black Magic Woman -
FLEETWOOD MAC
3. Pearly Queen - TRAFFIC
4. People You Were Going To
- VAN DER GRAAF GENERATOR
5. Reality - SECOND HAND
6. Love Is The Law - EYES OF
BLUE
7. Dusty - JOHN MARTYN
8. In Her Mind - ECLECTION
9. Summertime - LOVE
SCULPTURE
10. Fly Tomorrow - JOHN
MAYALL
11. Place Of My Own -
CARAVAN
12. No Title - TEN YEARS
AFTER
13. Child Of My Kingdom -
THE CRAZY WORLD OF ARTHUR BROWN
14. I Never Knew - THE GODS
Disc 3 (71:42 minutes):
1. My Sunday Feeling -
JETHRO TULL
2. Sabre Dance - LOVE
SCULPTURE
3. Flames - ELMER GANTRY'S
VELVET OPERA
4. Somewhere To Go - THE
DEVIANTS
5. Cold Embrace - SAM GOPAL
6. Shine On Brightly -
PROCOL HARUM
7. Paradise Flat - STATUS
QUO
8. That's Me - GENESIS
9. Suite No. 1 - GILES,
GILES & FRIPP
10. Mist On A Monday Morning
- THE MOVE
11. Ten Thousand Words In A
Cardboard Box - THE AQUARIAN AGE
12. Mr. Sunshine - BARCLAY
JAMES HARVEST
13. Just For You - DAVE
MASON
14. S.F. Sorrow Is Born -
PRETTY THINGS
15. Magic Man - CARAVAN
16. The Half-Remarkable
Question - THE INCREDIBLE STRING BAND
17. Race With The Devil -
GUN
18. Mandrake Root - DEEP
PURPLE
The incredibly chunky
48-page booklet lines up the artists in alphabetical order (The Action and The
Aquarian Age to Van Der Graaf Generator and Keith West) with MARK POWELL
pouring on the biographies and details (he also compiled and researched the set). Page after Page offers promo photos, trade
adverts, concert posters, men in fields communing with nature (or mushrooms)
and so forth. It's a properly huge and thorough read (each of the singular CD
card front sleeves features a montage of the photos used within the booklet). BEN
WISEMAN has done the new Remasters at Alchemy with the Audio being uniformly great
throughout - stuff like Love Sculpture and The Incredible String Band leaping
out of the speakers.
The line-up of tracks is
smartly done. Disc 1 opens its account with "And The Address" - one
of two Stereo cuts from Deep Purple's September 1968 UK debut album
"Shades Of..." on Parlophone PCS 7055 (the second is "Mandrake
Root" which ends Disc 3). The Jon Lord/Ritchie Blackmore "And The
Address" instrumental fades in a suitably doomy way only to eventually
explode into a four-and-half minute Rock-Funk groove that allows ace axeman
Blackmore room to bend and ping followed quickly by that huge organ sound Lord
specialises in. It's so 60ts, so Deep Purple and so 1968.
The familiar sway of April
1968's "...does your memory serve you well..." from Julie Driscoll
and Brian Auger follows nicely, the flanged rhythms of "This Wheel's On
Fire" doing the Rick Danko and Bob Dylan composition a solid. The A-side
of Columbia DB 8353 from The Pretty Things (February 1968) is "Talkin'
About The Good Times" where our heroes (Dick Taylor and Phil May) produce
an bona-fide slice of 60ts brilliance - The Who meets, well The Pretty Things.
To hell with pretty - let's
rock is the mantra for "World War Three" by the fuzz-guitar grooving
Dantalian’s Chariot - a band featured Zoot Money on Vocals, Pat Donaldson of
Fairport Convention and Andy Summers of The Police. DC's wild guitar-driver
recorded in January 1968 perfectly compliments one of this set's genuine joys -
a melodic gem from The Action called "A Saying For Today”. Its an Ian
Whiteman composition recorded in the summer of 1968 that only surfaced in 1985
on a rare UK 5-Track Mini LP called "Action Speak Louder Than..." on
Dojo Records DOJOLP003 (one of Charly’s budget labels). Great stuff. Other
winners on Disc 1 are Gary Wright's "Sunshine Help Me" - a Spooky
Tooth sexy Rock groove from their Island Records debut album "It's All
About" - sitar hippy dippy from Blonde On Blonde as he spends all day and
all night dreaming of you - and shades of future brilliance as you barely
recognise singer Peter Gabriel's voice on the May 1968 Genesis B-side
"One-Eyed Hound" - a £400+ rarity originally on Decca 12775. Keith
West gets an acoustic pop moment on the lovely "On A Saturday" - a
July 1968 British 45 on Parlophone R 5713 featuring a hidden cache of stars -
Steve Howe of Yes on Guitar, Ronnie Wood of the Faces and Stones on Bass and
Aynsley Dunbar on Drums. Clive John and Micky Jones (later of Welsh rockers
Man) penned the incredibly pretty and pure 60ts waft of "Cave Of Clear Light"
– a rare and fab psychedelic B-side by The Bystanders – where these
mind-travellers have clearly been spending too many hours on translucent lakes
whilst watching a hermit meditate outside his cave, silent and free of the
world (but maybe a little smelly though). Disc 1 finishes with Neill Innes
having some fun on "I'm An Urban Spaceman" – a changing society song
that caught the mood of the times, propelling it to an unlikely No. 5 spot on
the UK singles chart in November 1968 on Liberty Records.
Discs 2 and 3 give us genius
stuff like John Mayall in Laurel Canyon territory on the yeah man "Fly
Tomorrow" (Mick Taylor of the Stones guesting to such wonderful effect) –
the soft acoustic beauty of John Martyn plucking on "Dusty" from his
second album "The Tumbler" (December 1968) with Harold McNair
accompanying on Flute - the surprising Mamas and Papas meets The Moody Blues
musicality of Eclection's gorgeous "in Her Mind" and Dave Edmunds
getting all guitar-wild on the classical "Sabre Dance" in his band
Love Sculpture (their cover of the Gershwin standard "Summertime" is
another surprise ballad moment – very early Fleetwood Mac actually).
Changes were everywhere -
Roy Wood would leave The Move doing their pastoral clavinet ditty "Mist On
A Monday Morning" to form Wizzard and lash into the full-on glam of "Ball
Park Incident", the Quo would abandon the frilly shirts and Pop-Psych of
"Paradise Flats" and go no-nonsense Rock Boogie in 1970 with "Ma
Kelly's Greasy Spoon" - while "My Sunday Feeling" from Tull's
debut "This Was" is again a very clever choice - showing just how
much styles were being mashed into each other to create new sounds and new
angles. And as you touch on Van Der Graaf Generator, Caravan and even the
normally rocking Ten Years After (their eight-minute-plus "No Title" is
trippy 1968) – it's not a large musical leap to 1973 where Mike Oldfield's
"Tubular Bells", Pink Floyd's "The Dark Side Of The Moon", Tull's "As Thick As A Brick" and the Yes double "Tales From Topographic Oceans" would actually
take the chart top LP spots all in the same year. Five years earlier and 1968
was surely the beginning of all that...the revolution's starting point.
There's a knack to these
releases and Esoteric seem to have it down pat these days. Great stuff and
thoroughly recommended...
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