This Review and Over 384 More Like It
Are Available In My E-Book
GIMME SHELTER!
CLASSIC 1960s ROCK ON CD
And Other Genres Thereabouts
Your All-Genres Guide To
Exceptional Reissues and Remasters
All Reviews From The Discs
No Need To be Nervous!
(No Cut and Paste Crap)
<iframe style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//ws-eu.amazon-adsystem.com/widgets/q?ServiceVersion=20070822&OneJS=1&Operation=GetAdHtml&MarketPlace=GB&source=ss&ref=as_ss_li_til&ad_type=product_link&tracking_id=mabasreofcdbl-21&language=en_GB&marketplace=amazon®ion=GB&placement=B013TDUC2K&asins=B013TDUC2K&linkId=573f2e449223d6ca3608be4714bc08db&show_border=
"...Scarred Through And Through..."
Following on from the extraordinary and
surprising success of "Johnny Cash At Fulsom Prison" (a deserved No.
13 placing on the US Rock LP charts in June 1968) - 1969 turned out to be an
even more blistering chart year for the mighty man of Country.
It seemed everything Cash did or had done in
the past, sold. Sun Records repacked his 50s material into five volumes, other
labels like Harmony joined in, he did a religious LP on Columbia called
"The Holy Land" in February and a seasonal outing not surprisingly
called "The Christmas Spirit" in December resulting in an astonishing
9 LP chart entries in the Top 200 for that year. All of it course culminated in
his biggest success of all - after its 4 June 1969 release on Columbia Records
(USA) and CBS Records (UK) - "Johnny Cash At San Quentin" climbed the
mountain to the coveted No. 1 slot on both the Country and Rock charts (an
unprecedented achievement for a Country singer to hit the Pop top spot). And
the prison LP duo of Fulsom and Quentin has remained beloved ever since - and
too damn right. Cash had even quit Amphetamines, found God, persuaded the
gorgeous and savvy June Carter to marry him (bolstered no doubt by him dropping
the destructive first and embracing the nurturing second) and soon he would
have his own prime-time TV show syndicated all over the world. All good for
Mister Badass...
But which version of "At San Quentin"
do you buy (and there are a few to consider)? There is the truly excellent 2005
'Legacy Deluxe Edition' 2CD reissue of with Vic Anesini remasters (always a
sign of quality). Or if you wanted both the Prison LPs, you could opt for the
doubled up 2CD budget-priced combo of Folsom and Quentin issued January 2006
that simply lumps the two Remastered CDs together (each with some bonus
material) – two jewel cases in a card wrap (Barcode 828767665825).
But (and even despite the inexplicable change
of artwork which I must say I find slightly disconcerting) - I'd argue that the
extra bits here (unissued CD cuts and the 1969 Granada TV Special DVD) make
this February 2007 Three-Disc baby the one to get. There's a lot to swallow so
let's get behind those bars, flip the bird, pump the shotguns (in case anyone
gets rowdy) and break this sucker down...
UK released 15 February 2007 - "At San
Quentin 1969" by JOHNNY CASH on Sony BMG Music
Entertainment/Columbia/Legacy 88697060932 (Barcode 886970609326) is an Expanded
2CD and 1DVD reissue featuring guests CARL PERKINS, JUNE CARTER CASH, THE
CARTER FAMILY and THE STATLER BROTHERS and that plays out as follows:
CD1 (54:27 minutes):
1. Blue Suede Shoes - CARL PERKINS (Previously
Unissued)
2. Flowers On The Wall - THE STATLER BROTHERS
(Previously Unissued)
3. The Last Thing on My Mind - THE CARTER
FAMILY (Previously Unissued)
4. June Carter Cash Talks To The Audience -
JUNE CARTER CASH (Previously Unissued)
5. Wildwood Flower - THE CARTER FAMILY
(Previously Unissued)
6. Big River - JOHNNY CASH
7. I Still Miss Someone - JOHNNY CASH
8. Wreck Of The Old 97 - JOHNNY CASH
9. I Walk The Line - JOHNNY CASH
10. Medley: The Long Black Veil/Give My Love To
Rose - JOHNNY CASH (Previously Unissued)
11. Fulsom Prison Blues - JOHNNY CASH
12. Orange Blossom Special - JOHNNY CASH
(Previously Unissued)
13. Jackson - JOHNNY CASH and JUNE CARTER CASH
(Previously Unissued)
14. Darlin' Companion - JOHNNY CASH
15. Break My Mind - THE CARTER FAMILY
(Previously Unissued)
16. I Don't Know Where I'm Bound - JOHNNY CASH
17. Starkville City Jail - JOHNNY CASH
CD2 (45:29 minutes):
1. San Quentin (4:09 minutes) - JOHNNY CASH
2. San Quentin (3:13 minutes) - JOHNNY CASH
3. Wanted Man - JOHNNY CASH
4. Restless - CARL PERKINS (Previously
Unissued)
5. A Boy Named Sue - JOHNNY CASH
6. Blistered - JOHNNY CASH (Previously
Unissued)
7. (There'll Be) Peace In The Valley - JOHNNY
CASH
8. The Outside Looking In - CARL PERKINS
(Previously Unissued)
9. Less Of Me - THE STATLER BROTHERS
(Previously Unissued)
10. Ring of Fire - JOHNNY CASH with THE CARTER
FAMILY
11. He Turned The Water Into Wine - JOHNNY CASH
with THE CARTER FAMILY, STATLER BROS & CARL PERKINS
12. Daddy Sang Bass - JOHNNY CASH with THE
CARTER FAMILY, STATLER BROS & CARL PERKINS
13. The Old Account Was Settled Long Ago - JOHNNY
CASH with THE CARTER FAMILY, STATLER BROS & CARL PERKINS
14. Closing Medley: Fulsom Prison Blues/I Walk
The Line/Ring of Fire/The Rebel-Johnny Yuma - JOHNNY CASH with THE CARTER
FAMILY, STATLER BROS & CARL PERKINS
DVD "Johnny Cash At San Quentin", All
Regions, 60 minutes, 1969 Documentary by Granada TV (UK)
Includes footage of the concert that became the
LP, a full performance of "A Boy Named Sue" and one-on-one interviews
with several prison guards and inmates talking about their experiences of jail.
The music footage shown is:
This 3-Disc release goes to some pains to
present the full concert as 'played' – a whopping 30-songs in chronological
order including a spoken intro. But the original 10-song album of course had a
different configuration and none of the guests. To sequence it, use the
following tracks, [3/2] = Track 3 on Disc 2 etc
ORIGINAL LP "Johnny Cash At San
Quentin", TRACK LIST SEQUENCE
Side 1:
1. Wanted Man [3/2]
2. Wreck Of The Old 97 [8/1]
3. I Walk The Line 9/1]
4. Darlin' Companion [14/1]
5. Starkville City Jail [17/1]
Side 2:
1. San Quentin [1/2]
2. San Quentin [2/2]
3. A Boy Named Sue [5/2]
4. (There'll Be) Peace In The Valley [7/2]
5. Folsom Prison Blues [11/1]
LP originally released June 1969 on Columbia Records CS 9827 (USA) and August 1969 on CBS Records S 63629 (UK) - both in Stereo. All songs by Johnny
Cash except "Wanted Man" (Bob Dylan cover), "Wreck Of The Old
97" (Traditional song arranged by Johnny Cash, Bob Johnson and Norman
Blake), "Darlin' Companion" (John Sebastian song, Lovin' Spoonful
cover), "A Boy Named Sue" (Shel Silverstein cover) and
"(There'll Be) Peace In The Valley" (Reverend Thomas Dorsey cover). It peaked at No. 1 on the US Country and Rock charts and at No. 2 in the UK LP charts.
As it is with all these issues that come
without an outer slipcase, the four-way foldout card digipak is a bit of a
clunky and easy to damage affair – so you need to be careful with it. The 2CDs
and 1DVD take up three of the four flaps (period pictures beneath the
see-through trays) with a photo on the first flap of the prison crowd waiting
for the show to begin - a sound engineer untangling cables in front of an empty
microphoned stage. The colour booklet is an impressive 32-page melting pop of
what unfolded on 24 February 1969 at San Quentin Prison - June and Johnny being
interviewed on Page 2 with Page 31 showing the whole band ensemble taking a bow
to the rapturous audience. There are reminiscences and critiques from Sylvie
Simmons, Marty Stuart's liner notes to the 4 July 2000 single reissue CD on
Legacy, Marty interviewed Merle Haggard (who was at the show and has admitted
to having been forever changed by it), afterthoughts by both Johnny and June
and promoter Lou Robin from March 2000 and finally Bob Irwin's notes on this
latest issue and its improvements and completeness.
But of course the big news is the Audio -
Remastered by VIC ANESINI. His is a name associated with Elvis Presley, The
Byrds, Carole King, Mott The Hoople, Santana, Paul Simon, Simon &
Garfunkel, Nilsson, Spirit and so many more. The original live record famously bristled
with life and danger and it does so even more now. Its like a beast unleashed. Fantastic
and those unreleased tracks expand the listen so much...huge life around the
sound. I also appreciate the Carter Family harmonies more now – giving an
almost spiritual nature to the words and the feelings they elicited.
DVD: Some have expressed disappointment with
the DVD and I can understand this. Its not been cleaned up for a start
(scratchy and blotched), but I’d argue the content is so powerful you soon
forget about that. It was a Granada TV show (UK), a documentary and NOT a film
of the entire concert although 10 tunes are given sizeable chunks of footage in
this order: Walk The Line, Folsom Prison Blues, Orange Blossom Special, Jackson
(with June Carter Cash), Darlin’ Companion, Daddy Sings Bass (with Carl
Perkins, The Carter Family and The Statler Brothers), San Quentin, Wanted Man,
A Boy Named Sue (Long Version) and (There'll Be) Peace In The Valley. But for
me the DVD offers a welcome sobering counterbalance to the slight bravura macho
streak of the LP.
As a stand alone, the record feels at times like a celebration – this DVD does not. If anything its a chilling reminder as shot after shot of the actual existence they lived is paraded in front of you – haunted faces behind scraped steel bars, lonely figures parading in the yard, the pump-action shotguns of the guards resting on railings, cold cups of coffee on the concrete with barbed wire overhead, pictures of kids and family on the walls they may never see again. But it's the inmates and guard interviews that amaze and unsettle – one officer with a grizzled face straight out a thousand cop precinct movies describing his 23 years of seeing young lives wasted – his California Correctional Department badge immaculate on the sleeve of his shirt, black cap on his head with its gold badge shining.
As a stand alone, the record feels at times like a celebration – this DVD does not. If anything its a chilling reminder as shot after shot of the actual existence they lived is paraded in front of you – haunted faces behind scraped steel bars, lonely figures parading in the yard, the pump-action shotguns of the guards resting on railings, cold cups of coffee on the concrete with barbed wire overhead, pictures of kids and family on the walls they may never see again. But it's the inmates and guard interviews that amaze and unsettle – one officer with a grizzled face straight out a thousand cop precinct movies describing his 23 years of seeing young lives wasted – his California Correctional Department badge immaculate on the sleeve of his shirt, black cap on his head with its gold badge shining.
You can see he has a heart, but you can also literally taste the weariness emanating off of him – his voice almost slurring as he talks with barely contained
sadness of how the inmates survive – interracial gangs – homosexuality – toilet
tissue under their shirts to make their muscles seem bigger and avoid a
beating. One inmate who avoided death literally as he was being brought down to the notorious leather straps of the SQ gas chamber (always used at 10
a.m. ever Friday morning) talks calmly about he strangled a woman and her 12
year old son after a drunken liaison but still doesn't know why - his gaze lost as he describes it. Its not very romantic or uplifting but it is stone cold brutal and sobering. As Cash sings how San Quentin "...left me scarred
through and through..." and "...I walked out a wiser but weaker man..." - there
is an eruption from the crowd – this is their guy and he knows their language.
This is the show where Cash couldn’t get to see
his audience because there was too much equipment on stage and the Granada crew
refused to budge themselves or any of it - so Cash gave his famous two-finger
salute to the camera. It’s a shot that’s now on a thousand teeshirts – the
man’s indomitable spirit. But re-listening and re-watching this amazing thing
in 2019 – 50 years haven't lessened its power, just perhaps brought the reality
more into focus. "Johnny Cash At San Quentin" is a seriously powerful
piece of work and this reissue has brought home ALL sides of it – complete and in yer face.
And as I think about those faces in the crowd,
smiling, longing, lifted up, given new hope if only for an afternoon – then the
cameras cutting coldly to those blank stares from behind prison bars afterwards
– I hope some of them made it...
No comments:
Post a Comment