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Saturday 25 July 2020

"Mr. Fox/The Gipsy" by MR. FOX – November 1970 and January 1971 UK Debut and Second LPs on Transatlantic Records – featuring Carole (Anne) and Bob Pegg, Barry Lyons of Trees and Five Hand Reel with some Lyrics by Ashley Hutchings (May 2020 UK Beat Goes On Reissue - 2Ps onto 1CD – Andrew Thompson Remasters) - A Review by Mark Barry...






"...Join Us In Our Game..."

I recently reviewed a slew of Bob/Anne Pegg and Nick Strutt solo albums from 1973, 1974 and 1975 for an e-book I've done called "Pick Up The Pieces" (on 1974) and a Folk/Country book called "Both Sides Now" (see my Author Page under my highlighted name). That reissue was May 2020's "Bob Pegg and Nick Strutt/Carolanne Pegg/The Shipbuilder/Ancient Maps" on Beat Goes On BGOCD1413 (Barcode 5017261214133) which offers two albums from 1973, one from 1974 and one from 1975 originally on Transatlantic Records UK newly Remastered onto 2CDs.

Having thoroughly enjoyed their quirky Ye Olde Dales Tales and their Acid-Folk Folk-Rock vibes accompanied by their mandolin/guitar sparring buddy Nick Strutt - I thought I'd reach back to the source. This single CD beauty (also from May 2020) is a companion volume to that Pegg/Strutt double.

Here you get their previous band's two equally startling LPs from November 1970 and January 1971 as MR. FOX - the self-titled debut and the follow-up called "The Gipsy" (also on Transatlantic Records like the solo stuff). You get new Remasters, new liner notes, the missing "Mendle" track from "The Gipsy" album that was sloppily left off a previous CD release now reinstated - and all of it re-presented in a natty lickety-split card slip-case. The only thing missing is the 45 Transatlantic single from November 1971 of "Little Woman" (a Dave Mason cover) that is a different band/version to the one on the second LP. But as you can see from a chockers playing time of nearly 79 minutes – time constraints was probably an issue.

Still, this is a tasty release of really interesting and rare material in any music lover’s books. So let's get to the hanged men, the house carpenters and of course, Elvira Madigan and her Aunt Lucy Broadwood (you know you want to)...

UK released 22 May 2020 - "Mr. Fox/The Gipsy" by MR. FOX on Beat Goes On BGOCD1412 (Barcode 5017261214126) offers their only 2LPs from 1970 and 1971 Remastered onto 1CD and plays out as follows (78:41 minutes):

1. Join Us In Our Game [Side 1]
2. The Hanged Man
3. The Gay Goshawk
4. Rip Van Winkle
5. Mr Trill's Song
6. Little Woman [Side 2]
7. Salisbury Plain
8. The Ballad Of Neddy Dick
9. Leaving The Dales
10. Mr. Fox
Tracks 1 to 10 are their debut album "Mr. Fox" - released November 1970 in the UK on Transatlantic Records TRA 226. Produced by BILL LEADER (no US issue).

For the debut MR. FOX was:
BOB PEGG - Vocals, Organ, Melodeon, Tin Whistle and Terrapin
CAROLE (ANNE) PEGG - Vocals and Fiddle
JOHN MYATT - Flute, Clarinet, Bass Clarinet and Bassoon
ANDREW MASSEY - Cello
BARRY LYONS - Electric Bass
ALAN (Alun) EDEN - Drums
Lyrics by ASHLEY HUTCHINGS on "Mr. Trill's Song"

11. Mendle [Side 1]
12. The Gipsy
13. Aunt Lucy Broadwood [Side 2]
14. House Carpenter
15. Elvira Madrigan
16. Dancing Song
17. All The Good Times
Tracks 11 to 17 are their second and last studio album "The Gipsy" - released January 1971 in the UK on Transatlantic TRA 236. Produced by BIL LEADER (no US issue).

For their second album MR. FOX was:
BOB PEGG - Vocals, Organ, Melodeon, Tin Whistle, Acoustic Guitar, Piano, Electric Bass (on "House Carpenter") and Bass Drum
CAROLE (ANNE) PEGG - Vocals, Acoustic & Electric Fiddles and Tom-Tom
BARRY LYONS - Vocals, Electric Bass, American Dulcimer, Sopranimo Recorder and Tambourine
ALAN EDEN - Vocals and Percussion
Chorus on "All The Good Times" by The Grindley Tabernacle Choir and Orchestra

The outer card slipcase always lends these BGO reissues a classy look and the 16-page booklet reproduces the rear sleeve liner notes of the debut album and the cartoons Caroleanne did for the inner gatefold of the second. Long-standing musicologist for Beat Goes On JOHN O'REGAN gives us new March 2020 liner notes that reference many sources (online and printed) filling us in on the hybrid music of Fairport Convention, Amazing Blondel, Steeleye Span and Pentangle - all of which are contained with the Yorkshire Folk lore traditions, gothic horror and Velvet Underground ramshackle uninhibited recordings of MR. FOX (the debut was done live to tape and feels fresh and dangerous for it). The Audio care of ANDREW THOMPSON is fantastic - their variant of Folk Rock pinging out of your speakers with shimmering Morris Dance intent. To the records...

A lone tin whistle wails as the three-minutes of "Join Us In Our Game" begins - soon to be a flute-driven Steeleye Span-like tale of singing in the trenches as Bob and Anne trade vocals. Dressed neatly as a young man - our hero tickles the eyes of the local fancies as he walks towards the village pathway where many "The Hanged Man" met their swinging end. A threatening doom-laden guitar notes opens "The Gay Goshawk" - the nearest the album gets to English 13th century Psych. Coal fields, unforgiving mountains and withered flowers trouble "Rip Van Winkle" - another harmonium fable of olde. Side 1 doesn't end well with "Mr. Trill's Song" - a jolly fellow 1895 romp that will likely make many cringe.

Side 2 of the "Mr. Fox" debut opens with a Folk cover of Dave Mason's "Little Woman". Transatlantic obviously thought the tune had legs so released a UK 45 of it with the album in November 1970 with the album opener "Join Us In Our Game" as its B-side (Big T Records BIG 135) - but as explained earlier that 7" version was done by a different band and is not the same as the album cut. "Salisbury Plain" and the accordion romp of "The Ballad Of Neddy Dick" continue the olde thyme tunes, the album ending in what I think is the best track - the smartest fellow "Mr. Fox" whose come-a-courting with his silver tongue and sly smile. As Caroleanne sings of caves in a clearing where Foxy hits one woman and pulls the hair of another - it's clear that her character assessment of this bloody monster was a smart one.

If the debut was an 'acquired taste' - they seemed to have improved their musical pallet by leaps and bounds for the far better second album "The Gipsy" from 1971. "Mendle" is seven minutes and thirteen seconds of creepy lyrics accompanied by moaning melodeon and harmonium drones - itself surpassed by the near thirteen-minutes of "The Gipsy" that ends Side 1. A tale of Mary Lee with the roving eye - our hapless lovestruck fool traipsing around the Dale during the day whilst supping ale and wine in the evenings. It's a long narrative - very Fairport Convention meets Steeleye Span. Side 2 opens with drums and multiple vocals where we're told that birds have dropped logs on Aunt Lucy leaving the poor biddy to die by the wood. Prettiest by far is "The House Carpenter" - an Appalachian Mountains song done on a Dulcimer with Alan Eden whacking Tom Toms - I've put this peach on Folk-Rock CD-Rs as an example of 'cool' Folk. "Elvira Madigan" is a tunic and regiment tale of deserters and lovers looking for shelter while the finishers "Dancing Song" and "All The Good Times" are straight up Morris Dance romps.

Originally with Trees, Barry Lyons would later join the ranks of Celtic purveyors Five Hand Reel and the fiddle and stone Pegg duo would go on to many solo albums that at times even stretched into Prog Folk by 1975.

For sure this is the kind of Olde English Folk that does folks heads in (I know many who can’t stand it). But I like the points in-between where Mr. FOX made a sound uniquely their own. A clever reissue that won't be for everyone, but those willing to explore may find the music of the stars ringing in their head while the rivers gurgle below in the mysterious shimmering bed...

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