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WHOLE LOTTA LOVE - 1969
Rock, Pop and Genres Thereabouts
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Rock, Pop and Genres Thereabouts
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"...Yesterday Is Dead...But Not My Memory..."
Even 53 years after the
event (1969 to 2022), the history of "The Autumn Stone" double-album
remains somewhat murky. Recorded in 1968 after the "Ogdens' Nutgone
Flake" sessions – Steve Marriott had teamed up with Peter Frampton of The
Herd and were busy building Humble Pie while Ronnie Lane would join hips and
lips with the vocals of Rod Stewart and the guitar of Ron Wood and continue as
the Faces (their initial album in early 1970).
So by March 1969, the Small
Faces band of old had effectively broken up leaving behind some finished
original songs (the title track is beautiful) and tantalizing fragments of
another masterpiece in the likes of the fabulous Brass-Funky instrumental
"Collibosher" and the driving Northern Soul feel to "Wide Eyed
Girl On The Wall" over on Side 4 (another instrumental). With their big earner gone and needing to
follow up the UK No. 1 "Ogdens'..." album from 1968, Immediate
Records cobbled this mishmash of a double together for market release in
November 1969, by which time Humble Pie already had 2 albums out on the same
label.
Amidst the odds and sods
were formerly stand-alone singles on both Decca and Immediate, some
"Ogdens'" cuts, two Tim Hardin covers (their sheer Soulfulness and
inventiveness shines through on the fantastic "Red Balloon"), while
three of the others were crudely recorded live songs done in City Hall,
Newcastle in full-on screaming Beatles mode that would test the patience of
even diehard fans (the second of the Tim Hardin covers "If I Were A
Carpenter" is jammed into the centre of that 11-minute live Soul-Rock
medley that opens Side 3).
Complete with crappy artwork
and zilch info inside apart from track titles, "The Autumn Stone" has
always been a Raggle-Taggle Gypsy-O, Mess Of The Blues, Urge To Splurge 2LP
misfit - but I love it to bits. Unreleased in the USA and uncharted in Blighty,
technically 'TAS' is referred to as a compilation set and not an album - but
that hasn't stopped fans from worshiping at its bedraggled feet. Which brings
us to digital and despite its age, I keep coming back to this Essential Records
CD Reissue and Remaster of 1997 because of its fantastic blasting audio. Here
are the nice boys...
UK released April 1997 -
"The Autumn Stone" by SMALL FACES on Castle Communications/Essential
Records ESMCD 478 (Barcode 5017615847826) offers 2LPs Remastered onto 1CD Plus
Three Bonus Tracks and plays out as follows (75:37 minutes):
1. Here Comes The Nice [Side
1]
2. The Autumn Stone
3. Collibosher
4. All Or Nothing (Live)
5. Red Balloon
6. Lazy Sunday
7. Call It Something Nice
[Side 2]
8. I Can't Make It
9. Afterglow Of Your Love
10. Sha La La La Lee
11. The Universal
12. Rollin' Over (Live)
[Side 3]
13. If I Were A Carpenter
(Live)
14. Every Little Bit Hurts
(Live) - Tracks 12, 13 and 14 are described as a Medley
15. My Mind's Eye
16. Tin Soldier
17. Just Passing
18. Itchycoo Park [Side 4]
19. Hey Girl
20. Wide Eyed Girl On The
Wall
21. Watcha Gonna Do About It
22. Wham Bam Thank You Mam
Tracks 1 to 22 are the
double-album "The Autumn Stone" - released November 1969 in the UK on
Immediate Records IMAL 01 IMAL 02 in Stereo (Tracks 12, 13 and 14 recorded live
at City Hall in Newcastle). Released in Holland and Germany (but not in the
USA) - many copies on the UK market came from these European imports. It would
be eventually be released as a 2LP set in Canada in 1973 on Daffodil Records
SBAB 16203 using different artwork (this CD reissue follows the original UK
artwork).
BONUS TRACKS:
23. Donkey Rides, Penny A
Glass
24. All Or Nothing (Live)
25. Tin Soldier (Live)
The JOHN REED liner notes
from February 1997 pump up the 8-page functional booklet as much as info
allowed at that time. Here's a rough breakdown. The Marriott/Lane penned Side 1
opener "Here Come The Nice" had turned up on the American "There
Are But Four Small Faces" LP so was new to UK fans on vinyl (that same US
LP also bore "Itchycoo Park"). "All Or Nothing" (not
credited as being a 'live' version on the Autumn Stone LP) with the 3-track
live medley that opened Side 3 had all showed on the "In Memoriam"
album issued May 1969 in Germany by Immediate in the wake of the band's
breakup. "I Can't Make It" and "Just Passing" had been a
stand-alone A&B-side British 45-single - while the Ogdens' track
"Afterglow Of My Love" uses the single mix and not the album cut (its
non-LP B-side "Wham Bam Thank You Man" ends Side 4.
With regard to the audio -
the sticker on the jewel case announces these are Remastered Recordings and
they do leap out you. But as long-time fans will know - there is incongruous
dips in the overall sound as tracks leap from 1968 back to 1967 and 1966. But
overall, I love the whack that comes off goodies like "Collibosher"
and those other unreleased cuts like "Call It Something Nice". For
sure you can literally hear the 'unfinished' nature of the new stuff, but like
most SF fans I'll take their doodles over someone else’s finished art come what
Piccanniny may.
We've been promised the
Definitive Version of "The Autumn Stone" by the remaining Small Faces
Group - something akin to the "Here Come The Nice" 4CD Box set - but
I think that promise has been ongoing some five or six years as I type this in
early 2022.
Still, I'll bosh their
collie any day of the week. And I'd love to know just who was that girl on that
wall that inspired "Wide Eyed..." Love it...
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