Amazon Music Bestsellers and Deals

Monday, 6 December 2010

“Our Billie” by IAN CLAYTON (2010 Peguin Books Paperback) - A Review by Mark Barry...




"…To Us He Gives The Keeping…"


When I read Ian Clayton’s “Bringing It All Back Home”, I was quietly blown away. Ballbreakingly funny, incisively articulate and bursting to the gills with gloriously recalled memories of music and its effect on his life – I loved every noun-filled page of it. But there was an expected hammerblow at the end of his debut. A huge and terrible personal tragedy had befallen him, his wife Heather and their twin son Edward and “Our Billie” is his reaction to that loss – the drowning of their 9-year old daughter in a freak boating accident in 2006.

His wife Heather (and Billie's mother) wittily characterises her hubby as a "...a working class tough guy who knows a lot of big words..." Freelance writer and broadcaster for 25 years, widely travelled in the USA, Europe and even Russia, Clayton is a stoical Yorkshireman whose led writer's workshops in Prisons, Hospitals, Schools and Art Centres. He has a self-deprecating style that suits his down-to-earth honesty. You can 'feel' the warmth of the man and the strength of his family.

So why did he write this book? As the father of a 19-year old Autistic son myself, I know so well his all-abiding need to make her life matter - for her not to be just another statistic on an ignored Government list somewhere. Clayton wants his Billie to be remembered. She was a real person who once laughed and had hopes and dreams like the rest of us. And in this book, he needed to get across a lot of information that is difficult to say and painful to revisit. Losing her in this manner was so cruel and yet life must go on. It's like a loss you get no closure on and he's managed to dig deep and chronicle it all with courage and an almost unbearable poignancy.

Reading “Our Billie” (named after Billie Holiday), you also get the sense of how much the grieving process distorts everything – days become detached and unreal – the intense missing of her comes on him in waves. It abates of course with time, but it never goes away – nor in many ways would he want it to. A downside however (if you could call it that) is that there are frustrating chapters that seem to break the flow – stuff on the Miner’s Strike – on his unfathomable father – on Sarajevo - subjects that seem strangely at odds with the title of the book. But then as you read between the lines, you realise that what you’re really getting is his anger and mounting rage coming out ‘sideways’ (there was also an ugly court case regarding the hire company’s reckless endangerment of life). I suppose we all use subtle defence mechanisms when real hurt is involved.

But then just as the heartache threatens to swallow everything whole – he hits you with wonderfully recalled memories that bring the beautifully photogenic child on the front cover to life…that realize her spirit. When Billie picked up a stranded worm after a rainstorm and placed it in the grass again so that it could wriggle its way back to its family – when she giggled with pleasure at her no-nonsense 90-year old Aunt Alice who complained about the hardness of the carrots on her plate in a posh restaurant - feeding her army of 30 Teddy Bears and Dolls in her bedroom with cough syrup lest any of them get sick – standing at a wall overlooking a stream in Whitby when a kingfisher zipped by… This was a girl who had a teeshirt that said "Be Happy" (she was laid to rest in it).

The aftermath for the Clayton family is spoken about in shockingly candid detail too – coping with it, not coping with it. His own helplessness on the day as the river’s current physically beat him and the sweating water nightmares that followed for months - hearing the lyrics to "Tom Traubert’s Blues" by Tom Waits where the beaten soldier ruminates that "…everything’s broken…" - crossing a field and remembering a fence he once leapfrogged just to hear her laugh - their son Edward sobbing as Jon Voight tries to wake Dustin Hoffman on the bus into Miami at the end of “Midnight Cowboy” - his wife not being able to look at the last school photograph of her on her bedroom wall - the awkward silence of friends in local pubs who just don’t know what to say except to offer him a pint…

This is a father who has lost his daughter – a once living breathing hopeful creature who enchanted everyone she ever met – and he 'needs' to make her loss matter. "Our Billie" is not an easy read for sure, but it is a moving one. And as I look at her photograph – I wish I’d met her – shook her hand and told her how utterly brill she was.

Off the coast of Cleveland in the USA, a boat was shipwrecked on a stormy night for want of 'lower lights' from the town on the shore to guide it into safety. In 1871 a moved Phillip Bliss published a hymn about the avoidable tragedy called "Keep The Lower Lights Burning". It's subsequently become known as the 'Lighthouse Hymn' and the author sings it to himself sometimes when he’s out walking where his daughter walked.

A lyric from it titles this review.


"Keep The Lower Lights Burning" - A Hymn

1. Brightly beams our Father’s mercy,
From His lighthouse evermore,
But to us He gives the keeping
Of the lights along the shore.

Refrain:
Let the lower lights be burning!
Send a gleam across the wave!
Some poor struggling, fainting seaman
You may rescue, you may save.

2. Dark the night of sin has settled,
Loud the angry billows roar;
Eager eyes are watching, longing,
For the lights along the shore.

Refrain:

3. Trim your feeble lamp, my brother;
Some poor sailor, tempest-tossed,
Trying now to make the harbor,
In the darkness may be lost.

Refrain:

Friday, 3 December 2010

BUDDY And ELLA JOHNSON - LP DISCOGRAPHY - Referencing The 1992 4CD Bear Family Box Set.


BUDDY and ELLA JOHNSON - LP DISCOGRAPHY
Referencing "Buddy And Ella Johnson 1953-1964"
The 4CD 104-Track LP-Sized Box Set
Released 1992 on Bear Family BCD 15479
Featuring: Floyd Ryland, Ricky Harper, Gil Askey,
Nolan Lewis and Lee Thomas on Vocals
Purvis Henson on Tenor Saxophone
Sam "The Man" Taylor on Tenor Saxophone (4 tracks only)

[1/3] = Track 1 on Disc 3, [12/2] = Track 12 on Disc 2 etc

1. "Rock 'N Roll"
BUDDY JOHNSON And His Orchestra
USA 1956 Debut 12” LP on Mercury MG 20209 (Mono Only)
Reissued in the USA in 1962 1st on Wing MGW 12005 using the same picture on the cover. Then reissued in the USA in 1963 as "Rock 'N Roll Stage Show" on Wing MGW 12111 using a different sleeve. Consists of tracks between 1953 and 1956.
Side 1:
1. I Don't Want Nobody (To Have My Love But You) (Vocal Ella Johnson) [12/2]
2. Doot Doot Dow (Instrumental) [11/2]
3. Bring It Home To Me (vocal Ella Johnson) [14/2]
4. You Got It Made (vocal Floyd Ryland) [13/2]
5. A Pretty Girl (A Cadillac And Some Money) (vocal Ricky Harper) [17/1]
6. Any Day Now (vocal Ella Johnson) [16/1]
Side 2:
1. It's Obdacious (vocal Buddy Johnson and Gil Askey) [7/2]
2. Crazy 'Bout A Saxophone (vocal Buddy Johnson) [25/1]
3. (Gotta Go) Upside Your Head (vocal Ella Johnson) [1/2]
4. Ain't But One (vocal Ella Johnson) [18/1]
5. A-12 (Instrumental) [6/1]
6. I'm Just Your Fool (vocal Ella Johnson) [5/1]

2. "Walkin'"
BUDDY JOHNSON
USA 1957 12” LP on Mercury MG 20322 [Mono Only]
Side 1:
1. Rockin' Time (Instrumental) [1/3]
2. They Don't Want Me To Rock No More (vocal Ella Johnson) [2/3]
3. There's No One Like You (vocal Nolan Lewis) [19/1]
4. Rock On! (vocal Buddy Johnson) [27/2]
5. Ain't Cha Got Me (Where You Want Me) (vocal Ella Johnson) [8/1]
6. Buddy's Boogie (Instrumental) [15/2]
Side 2:
1. Oh! Baby Don't You Know (vocal by Group) [23/2]
2. You'd Better Believe Me (vocal Ella Johnson) [24/2]
3. You're Everything My Heart Desires (vocal Floyd Ryland) [25/2]
4. So Good (vocal Ella Johnson) [9/2]
5. Bitter Sweet (Instrumental) [24/1]
6. Gone Walkin' (Instrumental) [10/2]

3. “Buddy Johnson Wails”
BUUDY JOHNSON And His Orchestra
1958 USA 12” LP on Mercury MG-20330 (Mono)/SR-60072 (Stereo)
Reissued in the USA in the 1960s on Wing MGW-12234 (Mono)/SRW 16234 (Stereo)
Reissued in Denmark in 1988 on Official 6010 with a different sleeve
Side 1:
1. Goodbye Baby Here I Go (vocal by Ella Johnson) [12/3]
2. They All Say I'm The Biggest Fool (vocal by Floyd Ryland) [9/3]
3. I Don't Care Who Knows (vocal Ella Johnson) [13/3]
4. Lil' Dog (Instrumental) [19/3]
5. You'll Get Them Blues (vocal Ella Johnson) [14/3]
6. Since I Fell For You (vocal Ella Johnson) [17/3]
Side 2:
1. Baby Don't You Cry (vocal Floyd Ryland) [11/3]
2. Minglin' (Instrumental) [20/3]
3. Please Mr. Johnson (vocal Ella Johnson) [16/3]
4. I Wonder Where Our Love Has Gone (vocal Floyd Ryland) [18/3]
5. I Cry (vocal Floyd Ryland) [10/3]
6. Stop Pretending (vocal Buddy Johnson) [15/3]

4. “Swing Me”
ELLA JOHNSON with Buddy Johnson And His Orchestra
USA 1960 12” LP on Mercury MG 20347 (Mono)
Ella Johnson Lead Vocals on All Tracks
Side 1:
1. What A Day [19/2]
2. That’s What You Gotta Do [21/2]
3. I Still Love You [22/2]
4. Well Do It [23/1]
5. Someday [3/2]
6. If You’d Said Yes [21/1]
Side 2:
1. Alright Okay You Win [4/2]
2. It’s ‘Bout To Break My Heart In Two [6/2]
3. Thinking It Over [20/1]
4. It Used To Hurt Me [22/1]
5. If You Would Only Say You’re Sorry [5/2]
6. Goodbye Baby Here I Go [20/2]

5. “Go Ahead & Rock Rock Rock”
BUDDY JOHNSON ORCHESTRA featuring ELLA JOHNSON
USA 1959 12” LP on Roulette R 25085 (Stereo)/SR 25085 (Stereo)
Reissued in the 1960s in the USA on Forum 9022
Side 1:
1. Go Ahead And Rock (Instrumental) [13/4]
2. Real Fine Frame (Nellie Lutcher cover – vocal Buddy Johnson) [8/4]
3. Down Yonder (Instrumental) [12/4]
4. Get On Down The Road (vocal Ella Johnson) [14/4]
5. Sliding Horns (Instrumental) [15/4]
6. Don’t Fail Me Baby (vocal Ella Johnson) [1/4]
Side 2:
1. Walk ‘Em (vocal Buddy Johnson) [9/4]
2. You Better Change Your Ways (vocal Lee Thomas) [11/4]
3. Small Taste (Instrumental) [2/4]
4. I’m Tired Crying Over You (vocal Ella Johnson) [10/4]
5. Going To New York (Instrumental) [5/4]
6. Baby Hear My Humble Plea (vocal by Lee Thomas) [3/4]

6. “Rock 'N Roll Stage Show”
BUDDY JOHNSON And His Orchestra
USA 1963 12” LP on Wing MGW 12111 (Mono)
THIS IS A REISSUE of 1 using a different name – see 1 for details


"…I Gotta A Girl…Well She Can’t Be Beat…She’d Be Real Pretty…If She Had Some Teeth…"

Thursday, 2 December 2010

“Buddy And Ella Johnson 1953-1964” by BUDDY and ELLA JOHNSON. A Review Of The 1992 4CD Bear Family Box Set.

"…I Gotta A Girl…Well She Can’t Be Beat…She’d Be Real Pretty…If She Had Some Teeth…"

“Buddy And Ella Johnson 1953-1964” is a 4CD LP-Sized Box Set first released in Germany in 1992 by the legendary Bear Family reissue label and offers up 104 songs covering their Mercury, Roulette and Old Town Records output.

60 of the songs make up the entirety of their 5 big albums from the period – “Rock ‘N Roll” (1956), “Walkin’” (1957), “Buddy Johnson Wails” (1958), “Go Ahead & Rock Rock Rock” (1959) and “Swing Me” (1960) – while 26 more are non-album single sides (78’s and 45’s) - leaving the remaining 18 as previously unreleased. I’ve compiled a detailed LP Discography in the ‘comment’ section attached to this review referencing the tracks on the box set (and who sang lead on what etc).

Outside of that - Bear Family BCD 15479 breaks down as follows:
Disc 1, 26 Tracks, 75:22 minutes:
Four tracks are previously unreleased – “Bring It Up, Van Dyke” (9), “My Old Man” (10), “Shut Your Big Mouth (Girl)” (13) and “Mush Mouth” (14)

Disc 2, 27 Tracks, 71:54 minutes:
Two tracks are previously unreleased – “Someday” (2) and “Rock On (Alternate Take)” (26)

Disc 3, 24 Tracks, 65:08 minutes:
Four tracks are previously unreleased – “Far Cry” (21), “Lover Bird” (22), “No More” (23) and “Buddy’s Tune” (24)

Disc 4, 27 Tracks, 67:33 minutes:
Eight tracks are previously unreleased – “Have Mercy On A Fool” (6), “Buddy’s Song” (7), “Come Here, Lovely Dovey” (16), “Buddy’s Rock” (18), “I’ll Be Glad” (20), “Ever So Grateful” (22), “Don’t Be Messin’” (24) and “I Gotta Talk To Somebody” (26)

The 20-page booklet has an overview written by PETER GRENDYSA whose superb work featured in the booklets of the two US Chess Box Sets "Blues" and "Rhythm & Roll". There's black and white studio photos, trade adverts, live shots of the band with Buddy, family portraits, each of the CD inlays features an album sleeve in colour and the very detailed discography is by Bear Family's owner RICHARD WEISZ. The full page photo of Buddy and Ella with Alan Freed, Joe Turner and Ahmet Ertegun of Atlantic Records is very tasty.

In 1953 South-Carolina born Buddy Johnson was 38 and a seasoned pro since the mid Thirties - Piano Player, Band Leader & Vocalist, his working Rhythm ‘n’ Blues Orchestra reigned supreme over the Southern circuit of the time. Along with other various crooners in the group (Floyd Ryland, Ricky Harper, Gil Askey, Nolan Lewis and Lee Thomas - see Discography) the other ace in the pack was his 30-year old sister ELLA JOHNSON who handled Lead Vocals on all of their big releases. Like a cross between Ruth Brown and Bessie Smith, she could imbibe a song with longing, sex, domestic abuse and heartache. In fact many of their albums followed a certain pattern – an Ella vocal first, then an Instrumental (usually featuring ace Saxophonist Purvis Henson), followed by a Nolan Lewis Vocal, then Buddy on Vocals, back to Ella - and so on. Their music rarely dipped into the Blues, but was instead rhythmic R’n’B with the horns to the fore – at times making it feel like a throwback to the Big Band period. The mix of smooth vocal tracks and danceable instrumentals made their albums a really varied listen – and as you rehear them now in 2010 – every fibre of your being is telling you that these are ‘forgotten gems’ that shouldn’t be. It really is shockingly good stuff – and lyrically as witty and clever as anything the beloved Louis Jordan pumped out in the decade earlier.

Favourites include “Hittin’ On Me”, “That’s How I Feel About You”, “(Gotta Go) Upside Your Head”, “I’m Just Your Fool” and the witty talking song “Rock On” (lyrics above). The previously unreleased material is far better than I had expected it to be - the Old Town outtakes “I Gotta Talk To Somebody” and “Don’t Be Messin’” with Ella on Lead Vocals are particularly catchy – hits in any decade.

The box is long-deleted and has acquired a crushing price tag – and in truth with subsequent releases (Ace Records of the UK have a 1996 CD with tracks not on here) – you can probably get the bulk of the tracks on 4 or 5 other CDs if you want. But this set is a very real reason as to why BEAR FAMILY is held in such affection and awe among collectors. It’s wonderful music, features great sound quality and all of it is presented with genuine respect shown…

A beautifully chronicled box set about a Rhythm ‘n’ Blues couple who deserved riches but ended up with a pittance. If you can go the cost, buy it – it’s an absolute gem.

PS: Thanks to Keith Mowser of Aquascutum, London for a lend of the set


BUDDY and ELLA JOHNSON - LP DISCOGRAPHY
Referencing "Buddy And Ella Johnson 1953-1964"
The 4CD 104-Track LP-Sized Box Set
Released 1992 on Bear Family BCD 15479
Featuring: Floyd Ryland, Ricky Harper, Gil Askey,
Nolan Lewis and Lee Thomas on Vocals
Purvis Henson on Tenor Saxophone
Sam "The Man" Taylor on Tenor Saxophone (4 tracks only)

[1/3] = Track 1 on Disc 3, [12/2] = Track 12 on Disc 2 etc

1. "Rock 'N Roll"
BUDDY JOHNSON And His Orchestra
USA 1956 Debut 12” LP on Mercury MG 20209 (Mono Only)
Reissued in the USA in 1962 1st on Wing MGW 12005 using the same picture on the cover. Then reissued in the USA in 1963 as "Rock 'N Roll Stage Show" on Wing MGW 12111 using a different sleeve. Consists of tracks between 1953 and 1956.
Side 1:
1. I Don't Want Nobody (To Have My Love But You) (Vocal Ella Johnson) [12/2]
2. Doot Doot Dow (Instrumental) [11/2]
3. Bring It Home To Me (vocal Ella Johnson) [14/2]
4. You Got It Made (vocal Floyd Ryland) [13/2]
5. A Pretty Girl (A Cadillac And Some Money) (vocal Ricky Harper) [17/1]
6. Any Day Now (vocal Ella Johnson) [16/1]
Side 2:
1. It's Obdacious (vocal Buddy Johnson and Gil Askey) [7/2]
2. Crazy 'Bout A Saxophone (vocal Buddy Johnson) [25/1]
3. (Gotta Go) Upside Your Head (vocal Ella Johnson) [1/2]
4. Ain't But One (vocal Ella Johnson) [18/1]
5. A-12 (Instrumental) [6/1]
6. I'm Just Your Fool (vocal Ella Johnson) [5/1]

2. "Walkin'"
BUDDY JOHNSON
USA 1957 12” LP on Mercury MG 20322 [Mono Only]
Side 1:
1. Rockin' Time (Instrumental) [1/3]
2. They Don't Want Me To Rock No More (vocal Ella Johnson) [2/3]
3. There's No One Like You (vocal Nolan Lewis) [19/1]
4. Rock On! (vocal Buddy Johnson) [27/2]
5. Ain't Cha Got Me (Where You Want Me) (vocal Ella Johnson) [8/1]
6. Buddy's Boogie (Instrumental) [15/2]
Side 2:
1. Oh! Baby Don't You Know (vocal by Group) [23/2]
2. You'd Better Believe Me (vocal Ella Johnson) [24/2]
3. You're Everything My Heart Desires (vocal Floyd Ryland) [25/2]
4. So Good (vocal Ella Johnson) [9/2]
5. Bitter Sweet (Instrumental) [24/1]
6. Gone Walkin' (Instrumental) [10/2]

3. “Buddy Johnson Wails”
BUUDY JOHNSON And His Orchestra
1958 USA 12” LP on Mercury MG-20330 (Mono)/SR-60072 (Stereo)
Reissued in the USA in the 1960s on Wing MGW-12234 (Mono)/SRW 16234 (Stereo)
Reissued in Denmark in 1988 on Official 6010 with a different sleeve
Side 1:
1. Goodbye Baby Here I Go (vocal by Ella Johnson) [12/3]
2. They All Say I'm The Biggest Fool (vocal by Floyd Ryland) [9/3]
3. I Don't Care Who Knows (vocal Ella Johnson) [13/3]
4. Lil' Dog (Instrumental) [19/3]
5. You'll Get Them Blues (vocal Ella Johnson) [14/3]
6. Since I Fell For You (vocal Ella Johnson) [17/3]
Side 2:
1. Baby Don't You Cry (vocal Floyd Ryland) [11/3]
2. Minglin' (Instrumental) [20/3]
3. Please Mr. Johnson (vocal Ella Johnson) [16/3]
4. I Wonder Where Our Love Has Gone (vocal Floyd Ryland) [18/3]
5. I Cry (vocal Floyd Ryland) [10/3]
6. Stop Pretending (vocal Buddy Johnson) [15/3]

4. “Swing Me”
ELLA JOHNSON with Buddy Johnson And His Orchestra
USA 1960 12” LP on Mercury MG 20347 (Mono)
Ella Johnson Lead Vocals on All Tracks
Side 1:
1. What A Day [19/2]
2. That’s What You Gotta Do [21/2]
3. I Still Love You [22/2]
4. Well Do It [23/1]
5. Someday [3/2]
6. If You’d Said Yes [21/1]
Side 2:
1. Alright Okay You Win [4/2]
2. It’s ‘Bout To Break My Heart In Two [6/2]
3. Thinking It Over [20/1]
4. It Used To Hurt Me [22/1]
5. If You Would Only Say You’re Sorry [5/2]
6. Goodbye Baby Here I Go [20/2]

5. “Go Ahead & Rock Rock Rock”
BUDDY JOHNSON ORCHESTRA featuring ELLA JOHNSON
USA 1959 12” LP on Roulette R 25085 (Stereo)/SR 25085 (Stereo)
Reissued in the 1960s in the USA on Forum 9022
Side 1:
1. Go Ahead And Rock (Instrumental) [13/4]
2. Real Fine Frame (Nellie Lutcher cover – vocal Buddy Johnson) [8/4]
3. Down Yonder (Instrumental) [12/4]
4. Get On Down The Road (vocal Ella Johnson) [14/4]
5. Sliding Horns (Instrumental) [15/4]
6. Don’t Fail Me Baby (vocal Ella Johnson) [1/4]
Side 2:
1. Walk ‘Em (vocal Buddy Johnson) [9/4]
2. You Better Change Your Ways (vocal Lee Thomas) [11/4]
3. Small Taste (Instrumental) [2/4]
4. I’m Tired Crying Over You (vocal Ella Johnson) [10/4]
5. Going To New York (Instrumental) [5/4]
6. Baby Hear My Humble Plea (vocal by Lee Thomas) [3/4]

6. “Rock 'N Roll Stage Show”
BUDDY JOHNSON And His Orchestra
USA 1963 12” LP on Wing MGW 12111 (Mono)
THIS IS A REISSUE of 1 using a different name – see 1 for details

Monday, 29 November 2010

“Charlie Rocks” by CHARLIE RICH. A Review Of The 2009 Bear Family CD Compilation.

"…Fast Talkin'…Slow Walkin'…Good Lookin'…"

Released June 2009 on Bear Family BCD 16513 AR, "Charlie Rocks" offers up 31 slices of the Silver Fox’s varying styles – Rock ‘n’ Roll, Blues, R’n’B, Crooner and even Sixties Pop. It covers 1958 to 1966 on Sun Records, Phillips International, Groove, Smash, Phillips and Mercury - and at a 74:34 minutes doesn't scrimp it on content or value for money.

Like all the titles in this extensive series, "Charlie Rocks" comes in a 3-way foldout card digipak with a large detachable booklet in the centre (40-pages for this one). The CD label itself repros the USA 45” for “Big Boss Man" – his fantastic cover of Jimmy Reed’s blues standard - complete with its 1965 Groove Records label bag - and that's again repro’d in full on the flap beneath the see-through tray (a nice touch).

The substantial booklet features extensive liner notes from Page 2 to 28 by HANK DAVIS with a Discography for all 31 tracks from Page 29 to 36 by COLIN ESCOTT, HANK DAVIS, MARTIN HAWKINS and Bear Family’s owner RICHARD WEIZE. It’s peppered with several full colour plates of Rich from a previously unreleased photo session and many of his American 45’s are pictured throughout the Discography - a typically top job done by Bear.

The remastered sound is by MARCUS HEUMANN and given the difference sources and years – it’s uniformly superb - even on the unreleased rough ‘n’ ready Sun sides. By the time you get to the Sixties stuff (recorded in good studios with top musicians), the sound quality is rocking.

CONTENT:
1. Whirlwind (Undubbed Version)
2. Everything I Do Is Wrong
3. Philadelphia Baby
4. Big Man
5. Rebound
6. That's Rich
7. Lonely Weekends (Master Take)
8. Break Up
9. Midnite Blues
10. Little Woman Friend Of Mine
11. Goodbye Mary Ann (Take 3)
12. You Made A Hit
13. Red Man
14. Donna Lee
15. Popcorn Polly
16. Gentle As A Lamb
17. Charlie's Boogie
18. Stop Thief
19. Right Behind You Baby
20. Lonely Weekends (Undubbed Alternate Take)
21. Yes Ma'am
22. Big Man (Undubbed Alternate Take)
23. Big Boss Man
24. The Ways Of A Woman In Love
25. Mohair Sam
26. I Washed My Hands In Muddy Water
27. Just A Little Bit Of Time
28. It Ain't Gonna Be That Way
29. That's My Way
30. Just A Little Bit Of You
31. So Long

Tracks 1, 6, 10, 12 and 14 through to 21 are all from the 1998 4CD Bear Family box set “Lonely Weekend – The Sun Years 1958-1962” and were previously unreleased at the time.

Tracks 8, 11, 13 and 22 are all PREVIOUSLY UNRELEASED and exclusive to this set.

All the other tracks are singles or album sides on the labels mentioned above.

His huge hit “Lonely Weekend” is on here twice – the master is track 7, while track 20 is a previously unreleased Undubbed Alternate Take. “Midnite Blues”, “The Ways Of A Woman In Love” and “Mohair Sam” (lyrics above) epitomise his Sixties cool – like Roy Orbison at his sly best – great vocals, clever lyrics and an instantly catchy tune every time. There’s a few tracks off his two superb albums for Smash Records in 1965 and 1966 – “The Many News Sides Of…” and “The Best Years” which will make you want more and talk of forgotten genius {“It Ain’t Gonna Be That Way”). The “If you keep your hands clean, you won’t those bloodhounds on your trail…” lyrics of “I Washed My Hands In Muddy Waters” has a great piano rocking feel as it chugs along – the kind of bluesy tune Presley might have tackled on his superb “Elvis Is Back” album from 1960. Speaking of which…

Looking at the booklet and listening to the CD, you’re struck by three things (1) Charlie Rich was a handsome son of a bitch, (2) like Presley and Orbison, he had a voice to die for and could sing anything and (3) a whopping 24 of these 31 cuts are his own compositions, So he looked good, sounded awesome and wrote his own tunes. So why wasn’t he huge?

He would of course enjoy global success in the early Seventies with “Behind Closed Doors” and “The Most Beautiful Girl In The World” which galvanized his ‘Silver Fox’ crooner image. But this disc gives us his preceding rocking years and it’s an absolute eye-opener as to his talent and great way with a song…

I’m so glad I bought this CD - another cracker from those nice archiving people in Germany.

Recommended big time...

PS: The "Rocks" Series by Bear Family features the following artists:

1. Pat Boone
2. Johnny Burnette
3. The Cadillacs
4. Eddie Cochran
5. Bobby Darin
6. Fats Domino
7. Connie Francis
8. Don Gibson
9. Glen Glenn
10. Bill Haley
11. Roy Hall
12. Dale Hawkins
13. Ronnie Hawkins
14. Screamin' Jay Hawkins
15. Wanda Jackson
16. Sonny James
17. Buddy Knox & Jimmy Bowen with the Rhythm Orchids
18. Sleepy LaBeef
19. Jerry Lee Lewis
20. Smiley Lewis [see REVIEW]
21. Bob Luman
22. Frankie Lymon and The Teenagers
23. Carl Mann
24. Amos Milburn [see REVIEW]
25. Ella Mae Morse [see REVIEW]
26. Ricky Nelson
27. Carl Perkins
28. Roy Orbison
29. Lloyd Price
30. Piano Red (aka Dr. Feelgood) [see REVIEW]
31. Charlie Rich
32. Jack Scott
33. Shirley & Lee
34. The Treniers
35. Conway Twitty
36. Gene Vincent & His Blue Caps
37. Rusty York

The Bear Family "Rockin' Rollin'" Series features:

1. Johnny Horton
2. Marvin Rainwater
3. Marty Robbins Vol.1
4. Marty Robbins Vol.2
5. Marty Robbins Vol.3

Sunday, 28 November 2010

“I Came To Dance” by NILS LOFGREN. A Review Of The 1977 Album Now Remastered & Reissued On A 2010 Hip-O Select CD.


NILS LOFGREN is part of my Series "SOUNDS GOOD: Exceptional CD Remasters 1970s Rock And Pop" Download Book available to buy on Amazon to either your PC or Mac (it will download the Kindle software to read the book for free to your toolbar). Click on the link below to go my Author's Page for this and other related publications:

                       http://www.amazon.co.uk/-/e/B00LQKMC6I

"…It’s A Rhythm Romance…"

1977 saw Nils Lofgren running on empty. “I Came To Dance” is not his best work and I remember being hugely disappointed by it at the time - especially given the preceding brilliance of “Nils Lofgren” (1975) and “Cry Tough” (1976). But – and this is the big but – if you’re a fan of the record and remember it with affection - then this 2010 reissue is an absolute must buy.

It’s a new ERICK LABSON REMASTER and is sparkling in its sound quality (has over 900 mastering and audio restoration credits to his name and is one of Universal’s top engineers). It’s also the first of the Hip-O Select remasters to get a get a British release – hence a price of less than six quid for UK fans.

“I Came To Dance” was his 3rd solo album released March 1977 on A&M SP-4628 in the USA and A&M AMLH 64628 in the UK – this 2010 CD is a straightforward 36:21 minute reissue of that LP (Hip-O Select B0014387-02). Released on their own site in June, it received an August release date in the States – and now September 2010 in the UK. The insert that came with original vinyl copies is fully repro’d in the foldout inlay (complete with lyrics and recording credits). The band featured Nils and his brother Tom Lofgren on Lead and Rhythm Guitar, Wornell Jones on Bass, Patrick Henderson on Piano and Andy Newman on Drums (who also co-produced the album with Nils). “I Came To Dance”, “Rock Me At Home”, “Home Is Where The Hurt Is” and “To Be A Dreamer” featured PATTI AUSTIN on backing vocals – while “Code Of The Road”, “Happy Ending Kids”, “Goin’ South” and “Jealous Gun” featured LUTHER VANDROSS on backing vocals too.

It opens on an absolute high – the irrepressibly upbeat “I Came To Dance” which had me dancing round the kitchen like – well – a dancing fool (lyrics above). The remaster has also brought out the drums and bass on “Rock Me At Home” and “Home Is Where The Hurt Is”. And of course there’s the main deal - that guitar playing that sounds like water flowing. On “Code Of The Road” he just makes that sucker sing – an amazing axeman. I’d have to admit that irritatingly some of the guitar work still seems buried back in the mix somewhere (the weirdly recorded “Goin’ South”), but Labson’s remaster is subtle – it’s there – just fuller and clearer than before. The overdone backing vocals always felt wrong to me – and the years haven’t changed that. “Happy” ends it well – even if it does sound like a take on the song of the same name on The Stones “Exile On Main St.”

“I Came To Dance” is the kind of album that has some great tunes on it and the rest are filler. But oh the good ones…

Recommended – especially given the new sound quality.

PS: I’ve also reviewed the 2007 Hip-O Select remaster of his solo debut “Nils Lofgren” (1975). There’s also a TAG above for both Erick Labson and Hip-O Select to see more of his work and their titles.

PPS: check out his sublime guitar-playing on “Shot At You” from 1992’s “Crooked Line” and “Driftin’ Man” on the double 2003 live set “Nils Lofgren Band Live” – blissful stuff

Thursday, 25 November 2010

“The Solo Albums: Volume 1 - Smokey and Pure Smokey” by SMOKEY ROBINSON (2010 Hip-O Select/Motown CD Reissue and Remaster) - A Review by Mark Barry...




This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION - Exception CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)



"…It's Just My Soul Responding…"

In truth Smokey Robinson Solo albums have a mixed rep amongst collectors – moments of genius – filled out with syrupy padding. And certainly as this series progresses into the mid to late Seventies that appraisal is uncomfortably true. 

But re-listening to this pairing of his first two platters from 1973 and 1974 on Motown – there’s so much to enjoy and frankly rediscover – there really is. Here are the Soul Responding details…

Released September 2010 - "The Solo Albums: Volume 1 - Smokey (1973) and Pure Smokey (1974)" by SMOKEY ROBINSON is the 1st of 6 volumes chronicling Smokey Robinson's solo albums for Motown - and Hip-O Select/Motown B0014415-02 (Barcode 602527409856) breaks down as follows (74:55 minutes):

1. Holly
2. Medley: Never My Love/Never Can Say Goodbye
3. A Silent Partner In A Three-Way Love Affair
4. Just My Soul Responding
5. Sweet Harmony
6. Will You Love Me Tomorrow?
7. Wanna Know My Mind
8. The Family Song
9. Baby Come Close
Tracks 1 to 9 are his debut solo album "Smokey", released June 1973 in the USA on Tamla T-328L and in November 1973 in the UK on Tamla Motown STMA 8012

10. It’s Her Turn To Love
11. The Love Between Me And My Kids
12. Asleep On My Love
13. I Am I Am
14. Just Passing Through
15. Virgin Man
16. She’s Only A Baby Herself
17. Fulfill Your Head
18. A Tattoo
Tracks 10 to 18 are his 2nd solo album "Pure Smokey", released March 1974 in the USA on Tamla T-331V1 and June 1974 in the UK on Tamla Motown STML 11265

The gatefold card digipak houses a 24-page colour booklet containing entertaining and knowledgeable liner notes by PETER DOGGETT (formerly of Record Collector magazine and author of "There's A Riot Going On"). It also reproduces the American artwork for each album (even though in truth their impossible to read), lyrics and detailed recording and release credits. But the big news for fans is the improved Audio…

Remastered by ELLEN FITTON from the original Stereo tapes - the sound quality is just gorgeous - really beautifully done. I've bought CDs by Hip-O Select before where I've noticed her name in the credits - she's one of Universal's top engineers (like Erick Labson, Suha Gur, Gavin Lurssen, Gary Moore and Kevin Reeves). She did the truly superlative "Complete Motown Singles" Book Sets - all 13 volumes of them. On top of that is "Forever: The Complete Motown Albums Vol.1" 2CD set by The Marvelettes, the David Ruffin and Eddie Kendricks "Motown Solo Albums" multiple CD sets, "1990" by The Temptations and "This Is The Story: The 70's Albums Volume 1" by The Supremes (excluding the Singles books, I've reviewed nearly all of the other titles).

I wish I could say that the material is all killer and no filler, but that's just not true. Smokey LPs in a second-hand record shop such as ours are always a hard sell. The cover of The Shirelles "Will You Love Me Tomorrow?" is awful. Having said that, the reason I bought the disc is for those gems that are 'so' worth it - "Just My Soul Responding" is one of them (lyrics above) - a rare social-commentary that rumbles on like a Norman Whitfield gem - five-minutes plus of words about the plight of Blacks and Hispanics in the cities of Seventies USA (“too many roaches and not enough heat to keep my babies warm…”). It's absolutely stunning.

The popular "Baby Come Close" is more familiar smoocher territory - what a gem - and it's so good to hear the full album version here after all these years of living with the single edit of 3:24 minutes. The second album has "I Am I Am" which is a lovely soul song featuring the rhythm section of L.T.D., while "Virgin Man" touches on a subject matter not too often discussed. The synth funk of "A Tattoo" is good too. But mostly "Pure Smokey" was a loverman lead-in to the far better "Quiet Storm" album in 1975 - which is on the Volume 2 set.

What’s missing? The two LPs produced 5 singles Stateside and a couple in the UK - most had edited versions of their longer album tracks while the USA promos 7" singles often came with a promo-only MONO mix - none of those are on here - which is a shame. But at less than a fiver per album this is great value for money - and even if the material doesn't always rise to genius - the tracks that have stood the test of time are now in that superb sound quality - and that's been worth it for me...
-->

Tuesday, 23 November 2010

“Copperhead Road” by STEVE EARLE. A Review Of The 2008 2CD DELUXE EDITION Reissue.




"…You Can Smell The Whiskey Burnin'..."


With two good albums under his belt, “Guitar Town” from 1986 and “Exit O” from 1987, “Copperhead Road” was Steve Earle’s 3rd record for the MCA stable and he had clearly hit his song-writing stride. From the opening track it reeked of bar-drenched alcohol and chemical substances that weren’t exactly Milk of Magnesia and Aspirin. In other words, it was a great big ball of rockin’ fun - and that sense of kick-ass joy permeates its every track to this day. Released October 1988 in the USA on Uni 7 and MCA 1280 in the UK - like other big-hitters around that time - “Brothers In Arms” by DIRE STRAITS, “Kick by INXS and “…Nothing Like The Sun” by STING – it also had the then desirable DDD code on the back of its jewel case – a Full Digital Recording.

UK released 2 June 2008 - "Copperhead Road: Deluxe Edition" by STEVE EARLE is a 20th Anniversary remaster of that album with 17 live tracks thrown in on Disc 2 (many of which are previously unreleased).

DISC 1 (43:39 minutes)
Disc One offers just the album on its own and is a GAVIN LURSSEN remaster. His work on this is TRULY BEAUTIFUL. The sound literally leaps out of the speakers at you with a warmth and clarity that will thrill lovers of the album to the core. It was always a LOUD record as I say, and DDD, but that isn’t always good, because it can become hard on the ear - something you want to turn down rather than enjoy. But here the remaster is subtle. If I was to nail down what’s different – the DDD recordings of the time often had a clinical feel to them – like the essence of the live playing had been mastered away by the need for pure digital perfection. They sounded good for sure, but it often made the music itself, sound slightly soulless and gimmicky. Well this remaster seems to have taken that edge of the recordings and brought them back to life. You can HEAR the instrumentation now. The drums of KURT CUSTER hammer like Max Weinberg at his best without being too overbearing (Earle was a huge Springsteen fan at the time), the acoustic guitars and mandolins are all THERE in the mix too – a really great job done. Highlights would be the opening track, where the build-up is mind-blowing. When the band does kick in, you may find yourself resorting to unsightly air-guitar in your front room because you just can’t help it!! The guitar and drums that introduce “Back To The Wall” are just fantastic, while The POGUES and NEIL MacCOLL from THE BIBLE put in raucous stuff on “Johnny Come Lately” (recorded in London). GARRY W TALLENT, the bassist with Springsteen’s E-Street Band arranged the ‘gun’ song “The Devil’s Right Hand”. There are also two softer moments on the album that are just superb –“Even When I’m Blue” – as lovely a song as he’s ever written – while the country band TELLURIDE and Lone Justice’s MARIA McKEE turn up on the LP’s closer “Nothing But A Child”. McKEE in particular puts in really beautiful backing vocals on it - harking back to the glory days of Stevie Nicks on “Rumours” and “Tusk”. It ends the album on a real high note. The major disappointment here is the lack of outtakes or even demos or previously unreleased songs from the period. Which leads us to...

Disc 2 (78:17 minutes):
Disc 2 is entirely LIVE and is a very mixed bag indeed. First up is the CRAP SOUND. Having been treated to a fantastic blast on Disc 1, Disc 2 sounds like some poorly recorded radio show – it’s not quite as bad as a bootleg, but I’m afraid it isn’t far off it either. The recordings are hissy and strangely underwhelming. The crowd hollers through each song introduction and as it’s a small venue, it gets irritating real quick. There are a number of covers here - “Wheels’ is the CHRIS HILLMAN/GRAM PARSONS song from “The Gilded Palace Of Sin", the FLYING BURRITO BROTHERS debut album from 1969 and “Brown and Root” is a RODNEY CROWELL cover from the mid 1970s. Tracks 1 to 11 are all previously unreleased, recorded by the “Exit O” band in Raleigh, North Carolina on the 18h of November 1987. Track 12 was recorded in 1988 and is a cover version of Springsteen’s “Nebraska”. It turned up on a Spectrum Label CD called “The Collection” years back. Tracks 13 to 17 were recorded in Calgary, Canada in April of 1989 and featured as various b-sides the world over. (“Dead Flowers” is a Stones cover from “Sticky Fingers” and “Little Sister” is a George Trooper song). In truth, I can't imagine myself listening to these tracks ever again or considering them to be a 'bonus'.

PACKAGING:
The 4-way fold-out spread on the inside of the digipak gives you black & white photos of Earle most of which have been seen before - plus two colour shots – one of the beautiful blue Harley used for the sleeve and the other of him strumming an acoustic guitar. The 20-page booklet is hardly great either, a brief history of the album by roots music writer CHRIS MORRIS, lyrics, production credits - some photos - it's good, but hardly comprehensive. There's no inteview with Earle himself which would have explained what influenced whats song.

SUMMARY:
You can’t help but think that Universal should have remastered all three of his first albums “Guitar Town”, “Exit O” and this “Copperhead Road”, added some really good bonus tracks and be done with it. It would have been far better value than this slightly underwhelming experience. Fans will want the remaster of the album on this DELUXE EDITION for sure, but the casual buyer won’t need anything else.

To sum up then - a 5-star job on Disc 1 with a 3-star surplus on Disc 2.

PS: with regard to tape-remastering engineers GAVIN LURSSEN and ERICK LABSON - see also my reviews for The Crusaders “Gold” and Stephen Bishop’s “Careless” for LURSSEN - and Steppenwolf “Gold”, “The Complete Hits Singles” by Three Dog Night, “Buddy Holly” by Buddy Holly for LABSON. Fantastic work put in.

INDEX - Entries and Artist Posts in Alphabetical Order